Theatre, Authors, Imagination
Theatre
A performance qualifies as dramatic by creating a representational illusion. By this broad definition, theatre has existed since the dawn of man, as a result of the human tendency for storytelling. Since its inception, theatre has come to take on many forms, utilizing speech, gesture, music, dance, and spectacle, combining the other performing arts, often as well as the visual arts, into a single artistic form.
The word theatre means a "place for seeing." The two most common types of theatre plays are comedy and tragedy, symbolised by the theatre masks. The first recorded theatrical event was a performance of the sacred plays of the myth of Osiris and Isis in 2500 BC in Egypt. This story of the god Osiris was performed annually at festivals throughout the civilization, marking the beginning of a long relationship between theatre and religion.
Authors
In literary theory, critics find complications in the term "author" beyond what constitutes authorship in a legal setting. In the wake of postmodern literature, critics such as Roland Barthes and Michel Foucault have examined the role and relevance of authorship to the meaning or interpretation of a text.
Barthes challenges the idea that a text can be attributed to any single author. He quotes, in his essay "Death of the Author" (1968), that "it is language which speaks, not the author". The words and language of a text itself determine and expose meaning for Barthes, and not someone possessing legal responsibility for the process of its production. Every line of written text is a mere reflection of references from any of a multitude of traditions, or, as Barthes puts it, "the text is a tissue of quotations drawn from the innumerable centres of culture"; it is never original. With this, the perspective of the author is removed from the text, and the limits formerly imposed by the idea of one authorial voice, one ultimate and universal meaning, are destroyed. The explanation and meaning of a work does not have to be sought in the one who produced it, "as if it were always in the end, through the more or less transparent allegory of the fictioni, the voice of a single person, the author 'confiding' in us". The psyche, culture, fanaticism of an author can be disregarded when interpreting a text, because the words are rich enough themselves with all of the traditions of language. To expose meanings in a written work without appealing to the celebrity of an author, their tastes, passions, vices, is, to Barthes, to allow language to speak, rather than author.
Writers
The word is almost synonymous with author, though somebody who writes, for example, a laundry list, could technically be called the writer of the list, but not an author. Skilled writers are able to use language to portray ideas and images, whether fiction or non-fiction.
A writer may compose in many different forms including (but certainly not limited to) poetry, prose, or music. Accordingly, a writer in specialist mode may rank as a poet, novelist, copywriter, composer, lyricist, playwright, mythographer, journalist, screenwriter for film or television, etc.
Writers' output frequently contributes to the cultural content of a society, and that society may value its writerly corpus - or literature - as an art much like the visual arts, music, craft and performance art.
In Colonial England, a "Writer" was the lowest grade in the civil services abroad. With respect to society, little has changed in this regard. The East India Company requirements for a "Writer" was a basic knowledge of accounts and youth. Applicants had to sign a bond and obtain a nomination. In the British Royal Navy, writer is the trade designation for an administrative clerk.